Anyway, I've kinda decided that even if I get Falsley Accused edited, my Alpha editor may never lay hands on the Beta copy. Maybe it was the disappointment in not getting it read the first go around that led me to my decision. Maybe it was reading her copy that led me to it. I'm not sure. I reserve the right to change my mind and give her a second shot.
All of that notwithstanding, below are a couple pre-edited paragraphs from my book. Below that is a version as I edited it tonight. What thinks you?
Michael pulled out of his spot, turned around, and drove to the stop sign. He sat their a second, watching Officer Faris in his rearview mirror. Officer Faris seemed distracted in his car, so Michael inched into the intersction and made a right. He eased his car along, checking to see if Officer Farish noticed or intended to follow him, until he was behind the row of houses on the Apple Orchard Lane, the street running parrallell to Vine. Michael made it all the way to the middle of the block without seeing Officer Faris in his rearview mirror, so he turned down the small alley that ran between the row of houses. He pulled in just enough to avoid having Officer Faris see him when he pulled out and killed the engine. "Now what?" He thought.
Michael sat in his car pondering his next move when a movement at the end of the street caught his eye. Someone had come out of 92 Vine. Even as Michael looked up he could see the screen door banging shut behind the man. Michael watched for a moment more as the man walked down the steps and began to cross the alley. Even though he had been sitting in his car for almost six hours Michael had no idea what to do. The man continued his casual stroll across the alley. There were no cars. It was obvious he was on foot and appeared headed between houses to the next street over. Michael debated what to do. He couldn't drive his car to the end of the street. If the man ran into the woods or the next street over Michael would lose him. But he didn't feel comfortable backing up and going into the next street either. Too likely to tip off his position and he was in the same position. Him in car, man on foot. So Michael made the decision to be on foot as well. He opened his car door, left it open so as to not make noise shutting it, and started walking down the alley toward the man.
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Michael pulled out of his spot. Turned swung his car around and drove to the stop sign. He sat their a second. In his rearview mirror Michael could see the policeman's smug face. Officer Faris fiddled with something inside his car. Michael eased into the intersction. He looked back, checking to see if Officer Farish noticed or intended to follow.
When it appeared he didn't, Michael made a right and eased his car along. He coasted along until he found himself behind a row of houses. He was now on Apple Orchard Lane, which ran parrallell to Vine. Michael made it all the way to the middle of the block without seeing anyone follow. Michael turned down the alley running between the houses. It was more of a breezeway than alley; the houses packed so tight his car barely fit. He pulled in just enough to hide his car. He turned the key in the ignition, killing the engine. "Now what?" He thought.
Michael's eyes unfocused; his attention stopped on a broken piece of blacktop at the end of the alley. A movement beyond the end of the street caught his eye. Someone had come out of 92 Vine. Even as Michael looked up he could see the screen door banging shut. Michael watched for a moment more as the man walked down the steps. Jittery strides carried the man across the alley entrance. The man continued his herk-jerk stroll across the alley opening. There were no cars on the street. The man must be on foot, Michael though. Michael debated what to do. He feared driving to the end of the street. If the man from 92 Vine spooked he could quickly run into the woods or slip down another alley. Backing up would likely tip off his position. Either to the man or Officer Faris. So Michael opened his door and slid out. Careful to leave it open so as to not make noise. He began walking down the alley toward the man from 92 Vine.
The second one is definitely an improvement over the first. There is more description of what's happening around Michael and the people (I liked "jittery strides") which gives an idea of what's going on (even though I obviously have no idea, seeing only a few graphs). I think it also benefits from noticing small things and giving minor details that people notice (Faris fiddled with something instead of just "being distracted"). It makes it a lot more alive.
ReplyDeleteAlso, as one of the authors I follow pointed out to ME, don't let someone else stop you from writing! (Obviously its not, but it shouldn't stop you from being willing to share, either.) He told me he had years more experience under his belt in the book publishing field. And while you write more than me for work, it's a very different type of writing. I was trained in creative writing, you were trained in journalism.
We should find some time (HAH) to sit down and just discuss creative writing and the tricks behind it, which I've mentioned before and I can see you applying between the two above drafts. If you don't want to, that's fine, I know you're crazy busy. (And now probably isn't the best time to have this talk:))
If you ever have a chance to open a book again, when you find an author who you feel writes REALLY well, take a look at one paragraph and just study the flow of language. The pattern of words (noun verb subject. verb, noun verb.) What does the author do that you like?
I'll shush now.